• Washi (fibers of gampi, mulberry kozo and mitsumata, and the hemp mashi, among many others) is treasured for its longevity, as the extraordinarily long, thin fibers—which are both durable and flexible—are slow to degrade. Japan’s paper tradition has maintained a broad and profound influence on art, culture, life, and architecture for a millennium.These five artists, working with the flat material in both two- and three-dimensions, demonstrate the beauty and tenaciousness of Japanese paper as a form of artistic expression.

  • KAKU

    KAKU

    (b. 1950, Tokyo, based in Sagamihara, Kanagawa, Japan)

    KAKU is an established career artist and designer whose iconic installation work has expanded the boundaries of traditional Japanese mediums for five decades. A subliminal sense of a shared consciousness guides KAKU’s technique and symbolism. Each work uses shaped wire and tens of thousands of coiled washi pieces; together, they become a living environment. Each fragment draws the viewer deeper into the undulating surface until the washi is totally enveloping. The tranquility in the absence of self echoes a Zen sensibility.

  • Mami Kato

    Mami Kato

    (Akita, Japan, based in Philadelphia)

    Mami Kato constructs her artistic vision from the washi material itself. Inspired by the structure of organisms submerged in water, such as cells and algae, Kato uses fine-tipped needles to dissect the patterns of the washi fibers, unraveling and reweaving each strand. Intrigued by biological science, Kato is immersed in the microscopic world, rearranging the material’s phenotypic expression to match her own imagination. Kato’s artistic philosophy aligns with Buddhist dharma: one life passes through her hands and is delivered into another.

  • Yasue Maetake

    Yasue Maetake

    (b. 1973, Tokyo, based in Brooklyn, New York)

    Yasue Maetake's latest bas-relief series investigates the effect of chemical reactions on washi. Maetake repurposes the industrial waste from her sculpture studio, creating Anthropogenic geographies from melded man-made materials. The reliefs become a naturalistic timeline, connecting the age-old washi medium with the products of the modern era. She embeds oxidized erosion, such as fermented plants, metal patina, and wood stains, between the bonds of the hand-made paper layers. The character of the material—an Animistic spirit—reveals itself, creating new chroma and life.

  • Ryuji Taira

    Ryuji Taira

    (b. 1960, Kumamoto, Kyushu, Japan)

    A thousand gestures and subtle details converge in Ryuji Taira’s delicate photo prints on washi paper. Taira’s motifs—environmental microcosms—are brought to life by the nineteenth century style platinum printing technique imposed on gampi-washi. Taira translates dandelions and living creatures, using a large-format camera and silver halide film, into immortal images. Taira’s gampi-washi medium, which he prepares with lacquer over ten years, allows him to simultaneously preserve the natural essence of the symbolism and the transience of nature, defying decay.

  • Kaori Teraoka

    Kaori Teraoka

    Classically trained in nihonga painting, Kaori Teraoka (b. 1995, Shizuoka, based in Tokyo, Japan)uses mashi hemp paper in a meditative and rhythmic technique. Like a performance, each brush stroke corresponds to one second. Her gestures become a way of grounding body with mind, made with intention and focus even in the face of an uncertain world. Teraoka’s practice illustrates the relationship between physical action and the flow of time.
    • KAKU Pure Spiral 100 Painting
      KAKU
      Pure Spiral 100
      Painting
    • KAKU "Untitled" (Wire, Washi, Paint) -「無題」(100号 螺旋・彩色紫) Painting
      KAKU
      "Untitled" (Wire, Washi, Paint) -「無題」(100号 螺旋・彩色紫)
      Painting
    • KAKU "Untitled" (Wire, Washi, Paint) -「無題」(130号 螺旋・和紙), 1984 Washi paper, wire, paint
      KAKU
      "Untitled" (Wire, Washi, Paint) -「無題」(130号 螺旋・和紙), 1984
      Washi paper, wire, paint
    • KAKU "Untitled" (Wire, Washi, Paint) -「無題」(50号 螺旋・彩色黄) Painting
      KAKU
      "Untitled" (Wire, Washi, Paint) -「無題」(50号 螺旋・彩色黄)
      Painting
    • KAKU, "Untitled" (Wire, Washi, Paint) -「無題」(50号 螺旋・和紙)
      KAKU, "Untitled" (Wire, Washi, Paint) -「無題」(50号 螺旋・和紙)
    • KAKU Speckled Spiral 30 Painting
      KAKU
      Speckled Spiral 30
      Painting
    • KAKU "Untitled" (Wire, Washi, Paint) -「無題」(25号 螺旋・彩色赤) Painting
      KAKU
      "Untitled" (Wire, Washi, Paint) -「無題」(25号 螺旋・彩色赤)
      Painting
    • KAKU "Untitled" (Wire, Washi, Paint) -「無題」(60号 螺旋・彩色青と赤) Painting
      KAKU
      "Untitled" (Wire, Washi, Paint) -「無題」(60号 螺旋・彩色青と赤)
      Painting
    • Mami Kato, Kunsho-mo plankton, 2023
      Mami Kato, Kunsho-mo plankton, 2023
    • Mami Kato, Coral (black), 2022
      Mami Kato, Coral (black), 2022
    • Mami Kato, Coral (white), 2022
      Mami Kato, Coral (white), 2022
    • Mami Kato Lace-leaf [Framed], 2022 Gampi Paper, Gouache
      Mami Kato
      Lace-leaf [Framed], 2022
      Gampi Paper, Gouache
    • Yasue Maetake Printed Oxidation on Fiber Relief XIII, 2018-2022 Verdigris on Boiled and Beaten Kozo, Gampi, Cotton Linter
      Yasue Maetake
      Printed Oxidation on Fiber Relief XIII, 2018-2022
      Verdigris on Boiled and Beaten Kozo, Gampi, Cotton Linter
    • Yasue Maetake Printed Tannins on Fiber Relief I, 2019 Tannins from Hyacinth, Pine Tree on Beaten Kozo, Gampi, Cotton Linter
      Yasue Maetake
      Printed Tannins on Fiber Relief I, 2019
      Tannins from Hyacinth, Pine Tree on Beaten Kozo, Gampi, Cotton Linter
    • Yasue Maetake, Study for Printed Oxidation on Fiber #1, 2021
      Yasue Maetake, Study for Printed Oxidation on Fiber #1, 2021
    • Yasue Maetake, Study for Printed Oxidation on Fiber #3
      Yasue Maetake, Study for Printed Oxidation on Fiber #3
    • Yasue Maetake, Study for Printed Oxidation on Fiber #5
      Yasue Maetake, Study for Printed Oxidation on Fiber #5
    • Yasue Maetake, Study for Printed Oxidation on Fiber #7, 2022
      Yasue Maetake, Study for Printed Oxidation on Fiber #7, 2022
    • Ryuji Taira, Two of us (Futari) (ed.6/15), 2014
      Ryuji Taira, Two of us (Futari) (ed.6/15), 2014
    • Ryuji Taira Bound, 2014 Platinum Palladium Print on Japanese Gampi Paper
      Ryuji Taira
      Bound, 2014
      Platinum Palladium Print on Japanese Gampi Paper
    • Ryuji Taira Flowers & Seeds, 2004 Platinum Palladium Print on Japanese Gampi Paper
      Ryuji Taira
      Flowers & Seeds, 2004
      Platinum Palladium Print on Japanese Gampi Paper
    • Ryuji Taira Tanpopo #2, 2004 Platinum Palladium Print on Japanese Gampi Paper
      Ryuji Taira
      Tanpopo #2, 2004
      Platinum Palladium Print on Japanese Gampi Paper
    • Ryuji Taira 200 Two Hundred, 2014 Platinum Palladium Print on Japanese Gampi Paper
      Ryuji Taira
      200 Two Hundred, 2014
      Platinum Palladium Print on Japanese Gampi Paper
    • Kaori Teraoka, 「rhythm 3/24 - 4/3」, 2023
      Kaori Teraoka, 「rhythm 3/24 - 4/3」, 2023
    • Kaori Teraoka, 「rhythm 4/3 - 4/6」, 2023
      Kaori Teraoka, 「rhythm 4/3 - 4/6」, 2023