New Pieces at Ippodo Gallery January 2020

Ceramic artist Yasushi Fujihira, Having studied pottery under his father, Shin Fujihira, he went on to develop his own unique, flowing forms that are finished in a beautiful, soft, matte-silver tone. With close comparison, his forms are that similar to his father’s but carry a different sense of spirit as they hold a more metallic, unglazed appearance.

Silver and Black Glazed Tea bowl,  Yasushi Fujihira 

Silver Glazed Tea bowl, Yasushi Fujihira 

Silver Glazed Tea bowl, Yasushi Fujihira 

Tokyo Ginza Ippodo Gallery Tea House

Ippodo Gallery Tokyo has recently opened a new tea house, Gu-An in the lower level of the gallery building! 
Produced by the architect Kuniji Tsubaki, the tea room is a precious antique. Coupled with Ippodo Gallery’s artists, the space is a fusion of the traditional and the contemporary
We welcome you to our new Tea House space.
Showcasing artworks inside this elegant tea space, we offer an experience of serenity and chance for meditation, in the middle of the busy Tokyo City. 

Start of The New Year: A Visit to Shiro Tsujimura

Ippodo Gallery director Shoko Aono is currently traveling in Japan for the holidays, she is visiting many ippodo gallery artists and wishing them a happy new year.

We would love to share with you some lovely warm images from her visit with Shiro Tsujimura, master potter and dear friend.

Happy Holidays from Ippodo Gallery!

 

CURRENT EXHIBITION

Scenes of Lightness: Works by Yukiya Izumita

Through January 24th, 2020

I transform my chaotic inner thoughts to scenery using grains of soil, place them as if they were a piece of paper, and let it change in the hands of nature.
It captures every moment and experience that has passed me by.
These are the scenes of lightness, that make my heart feel a little less heavy with a tiny wind blowing inside me.
– Yukiya Izumita
More about the exhibition here
Learn more about Izumita’s process, watch the video here.

In Memory of Laura de Santillana

Ippodo gallery is saddened by the death of our dear friend Laura

de Santillana.

This past April, Laura exhibited “Moon” at Ippodo Gallery NY

and up until her passing, we were in the process of planning a

future exhibition.

Learning of Laura’s passing hurt us deeply. We have not only

lost a brilliant, talented artist but also a great friend and

supporter. Her energy transcends and her work and spirit have

inspired and brought us hope and love.

“Glass lives through light, despite what most people think, it

does not need a lot of it”

Just like how Laura’s glass sculptures transmit a beautiful soft

light, her light lives through us, glowing in our hearts and spirit.

Ippodo Gallery will continue to present Laura ’s artwork and her

philosophy, beauty, and love will live on.

 

Ippodo Gallery has remained devoted to the important of nature’s majesty since its inception in

1996, marrying the worlds of Japanese reverence with the New York lifeblood of impactful and

high-quality works. The New York gallery space opened in 2008 and continues to bring distinct

and meaningful Japanese art to a Western audience on the Upper East Side.

 

Scenes of Lightness, Works by Yukiya Izumita

December 13, 2019 – January 24, 2020
Friday, December 13, 2019

After a successful exhibition in 2017, Surface Folds, Ippodo Gallery is pleased to once again present Yukiya Izumita’s work in Scenes of Lightness. Featuring work from both his Sekisoh and Fold series; the exhibition shows Izumita’s continuous exploration of complex forms.

Izumita’s pieces exhibited carry a quality of weightlessness and ethereal flow; however, they also conjure a feeling of monumentality, like that of ancient landmarks conveying the profound passage of time. Picking up one of Izumita’s tea bowls, one can experience both a sense of lightness and weighted warmth. As layered waves push through solid forms, Izumita’s pieces breathe, like gentle wind blowing through a dense forest, his pieces remind us to appreciate the small moments of nature.

Yukiya Izumita, trained in Kokuji-ware under Gakuho Shimodake in 1992, opened his own workshop in Noda Village, Iwate Prefecture, on the border with the northern ceramic production area of Aomori Prefecture in 1995. Izumita has a lengthy career, with extensive claim in Japan. His international acclaim began when he participated in SOFA New York in 2005, in New Mexico, and finally Ippodo Gallery in both 2012 and 2017. In Japan, Izumita has been the recipient of numerous accolades such as the Excellence Award at the 20th Biennial Japan Ceramic Art Exhibition in 2009, as well as the Grand Prix at the Asahi Ceramic Exhibitions of 2000 and 2002.

His work are currently featured in the public collections of Yale University Art Gallery, Philadelphia Museum of Art, Los Angeles County Museum of Art, Iwate Museum of Art, and Tokonomae City Board of Education.

 

                                               

Yukiya Izumita: Scenes of Lightness

December 13 – January 24, 2020

Opening Reception with Artist December 13, 5-8pm

 

Izumita begins his day standing on a beach in the northern Tōhoku region of

Japan. He travels back and forth along the path that leads to his studio,

carrying salt-rich clay and wishing that ‘the clay could be lighter.’ Heavy and

light, living and dying, he searches for a comfortable spot, halfway between

opposites. ‘Energy is like the heart, like the beginning of the universe, it is

concentrated on the inside, then expands eternally into the outside.’ Izumita

takes the five basic elements—Fire, Earth, Water, Air and Void, perceiving

each of them as a function of vibration, awareness, flow, movement and

balance then tries to form them into shapes.

 

Izumita’s representative series, ‘Sekisoh Layers’ consists of numerous

interwoven layers of clay that seem to float, the dry, white glaze serving to

create a greater impression of lightness. The ‘Kikakei (Geometric)’ series

represents what are probably the structural limits that can be achieved using

clay. The process of Izumita’s creation is a journey to find the ultimate balance

between the shape he wants to produce and the physiology of the clay, his

work evolving endlessly.

– Shoko Aono, Director Ippodo Gallery

 

 

 

Appointments Welcome

Monday – Friday 10am – 6pm

Open Saturday December 14th and 22nd 12-5pm 

Ippodo Gallery New York

32 E 67th Street, New York City, NY, 10065

A special exhibition of Japanese lacquer: Jihei Murase III

December 9th – 11th, 2019

Venue: Stuart Lochhead Sculpture

35 Bury Street, St. James’s, London

SW1Y 6AU UK

T. +44(0)20 3950 2377

Sophie Richard, Stuart Lochhead, along with Ippodo Gallery director Shoko Aono, are delighted to invite you to a 3 day exhibition of lacquerware by artist Jihei Murase. 

 

“The lacquered tea ceremony utensils created by Jihei Murase III do not merely conform to traditional styles, but also possess a contemporary feel of their own. The beautiful forms that result from his complete mastery of the lathe and the warmth that derives from numerous coats of natural urushi lacquer, applied to valuable woods, create works that go beyond sculpture or utensils, to become unique, beloved items, whose attraction increases the more they are handled and used.”

– Shoko Aono, Ippodo Gallery New York

 

1957 Born in Tokyo as the grandson of the first generation Jihei; a lacquer craftsman under the patronage of Kitaoji Rosanjin. 

1975 Graduates Tokyo Metropolitan High School of Music & the Fine Arts. 

1980 Graduates the Sculpture Department of Tokyo Zokei University. Joined the long-standing family lacquerware business 

2001 Inherits the name, Jihei III, and title of 7th generation lacquerware master 

2010 About the Tea Ceremony A Viewpoint of Contemporary Kogei, 

The National Museum of Modern Art, Tokyo 

2014 Yale University Asian Art Museum display at London Art Fair 

2015 Kōgei (Modern Crafts) and the Tea Ceremony from the Museum Collection, The National Museum of Modern Art, Tokyo 

2016 Kōgei (Modern Crafts) and the Tea Ceremony II from the Museum Collection, The National Museum of Modern Art, Tokyo Solo show Lacquer Forms: Modern Negoro, Ippodo Gallery New York Work acquired by Philadelphia Museum of Art 

2017 Switzerland Art Basel Participant in Tea Ceremony by Contemporary Tea Expects, Nezu Museum 

2018 Switzerland Art Basel 

2019 TEFAF Maastricht, Netherlands 

Public collection: U.S.A. Philadelphia Museum of Art, U.S.A. Yale University Asian Art Museum 

 

 

Photos of the Installation

Artist Spotlight: Yukiya Izumita

Ceramicist Yukiya Izumita began his career training under Gakuho Shimodake in Kokuji-Ware in 1992. Afterwards, in 1995, Izumita went on to open his own studio in Noda Village, Iwate Prefecture, on the border of the Northern Ceramic Production area of Aomori Prefecture. Tohoku, in Northeast Japan, is known for its very severe weather, because of this Izumita became inspired by the costal winds and the endurance found in seaside culture.

Izumita’s artistic career was met with extensive acclaim in Japan. Through exhibiting at SOFA New York in 2005, he was met with international acclaim.

In Japan, Izumita is the recipient of numerous accolades such as the Excellence Award at the 20th Biennial Japanese Ceramic Art Exhibition in 2009 and the Grand Prix at the Asahi Ceramic. Exhibitions of 2000 and 2002.

Greenfield, Indiana – A Day with Sheep: Textiles, Nature, and Friends

Greenfield, Indiana – A Day with Sheep: Textiles, Nature, and Friends

A beautiful day in Indiana with bright blue skies, fresh crisp air, and… sheep!

Ippodo Gallery NY director Shoko Aono, artist Daisuke Nakano, his wife Kumiko Nakano, and host Hannah Hadley take a trip to the countryside of Indiana to learn how to dye fabrics.

The farmstead had lots of animals that roam around and the scenery was beautiful

 

 


Fabrics were dyed and rinsed

 

And hung to dry in the bright sun

 

What a beautiful day!

We are happy to share this day with you and hope this is the beginning of something familiar yet new.