Panta Rhei: Everything Flows: Works by Five Artists on Japanese Washi Paper

Panta Rhei: Everything Flows, Works by Five Artists on Japanese Washi Paper

FOR IMMEDIATE RELEASE: April 27–May 17, 2023

OPENING RECEPTION with Yasue Maetake and Mami Kato, April 27, 5:00–6:00pm

NEW YORK, NY – Ippodo Gallery presents selected washi artworks by five Japanese artists working with traditional paper in diverse modes. Panta Rhei: Everything Flows unveils new perspectives in Japanese paper, transforming the medium into voluminous crafted planes. Washi is a medium in flux, intertwined with Japanese cultural memory and each artist’s sensibility.   

            Washi (fibers of gampi, mulberry kozo and mitsumata, andthe hemp mashi, among many others) is treasured for its longevity, as the extraordinarily long, thin fibers—which are both durable and flexible—are slow to degrade. Japan’s paper tradition has maintained a broad and profound influence on art, culture, life, and architecture for a millennium.These five artists, working with the flat material in both two- and three-dimensions, demonstrate the beauty and tenaciousness of Japanese paper as a form of artistic expression.

            KAKU (b. 1950, Tokyo, based in Sagamihara, Kanagawa, Japan) is an established career artist and designer whose iconic installation work has expanded the boundaries of traditional Japanese mediums for five decades. A subliminal sense of a shared consciousness guides KAKU’s technique and symbolism. Each work uses shaped wire and tens of thousands of coiled washi pieces; together, they become a living environment. Each fragment draws the viewer deeper into the undulating surface until the washi is totally enveloping. The tranquility in the absence of self echoes a Zen sensibility.

            Mami Kato (Akita, Japan, based in Philadelphia) constructs her artistic vision from the washi material itself. Inspired by the structure of organisms submerged in water, such as cells and algae, Kato uses fine-tipped needles to dissect the patterns of the washi fibers, unraveling and reweaving each strand. Intrigued by biological science, Kato is immersed in the microscopic world, rearranging the material’s phenotypic expression to match her own imagination. Kato’s artistic philosophy aligns with Buddhist dharma: one life passes through her hands and is delivered into another.

            Yasue Maetake’s (b. 1973, Tokyo, based in Brooklyn, New York) latest bas-relief series investigates the effect of chemical reactions on washi. Maetake repurposes the industrial waste from her sculpture studio, creating Anthropogenic geographies from melded man-made materials. The reliefs become a naturalistic timeline, connecting the age-old washi medium with the products of the modern era. She embeds oxidized erosion, such as fermented plants, metal patina, and wood stains, between the bonds of the hand-made paper layers. The character of the material—an Animistic spirit—reveals itself, creating new chroma and life.

PAPER FLOWS