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Ohi tea bowl
Ohi Chozaemon X
[Ceramic + Porcelain ]
Item Number:C13356
Ippodo NY is delighted to announce that it will be holding an exhibition of tea bowls in celebration of Jugoya, the Japanese Moon-Viewing Festival. Traditionally falling on the 15th day of the eighth month according to the lunar calendar, the date of this festival varies. This year it will take place on September 8. The full moon on this night is considered the most magnificent of the year, shining high in the autumn sky. Its beauty is marveled today as it has been for centuries. Numerous poems have been written praising its beauty, and offerings are made to it in gratitude for the harvest. Ippodo NY will present a selection of tea bowls by 16 contemporary Japanese potters, ranging from young artists to master craftsmen, creating a wonderful feeling of harmony.

The appreciation of tea bowls is quite unique and differs from that of other art-crafts. During the tea ceremony, the bowl is raised in both hands and touched to the lips, its weight transmitted through the hands, its texture on the lip, and the color of the green tea inside all providing sensory pleasure to the guests. Even the shape of the kodai, as the foot of the bowl is known, is highly regarded, with people unraveling narratives in its form. Texture is experienced through the distortions of the clay; the glaze can be enjoyed throughout the entire 360 degrees of the form, and the transformations resulting from use become a source of appreciation. Each small bowl represents a culmination of Japanese aesthetics.

The Japanese tea ceremony, particularly the wabi-cha style perfected by Sen-no-Rikyu (1522-91), was developed during the Azuchi Momoyama period (1573-1603) and spread widely among the samurai class. The guest entrance to the tea ceremony room is extremely small and low, forcing the guests to enter on their knees - the idea being to oblige the samurai to leave his sword outside, thereby making all who enter equal. A samurai valued his sword as highly as his life, so to part with it in order to partake in a bowl of tea must have created a heightened atmosphere we can only conjecture upon today. The small, rustic tea room must have offered a unique form of freedom. The tea ceremony expresses an unparalleled refinement, combining Zen Buddhism with the Way of the Samurai. In the beginning, its practice was restricted to the feudal lords and high-ranking samurai, but gradually spread to the rich merchant class during the mid-Edo period (18th century). Sublimated to a deep spiritual level in both society and the realm of art-crafts, its utensils, particularly the tea bowls, have cultural and historic importance. In the past, there have even been occasions when a single tea bowl was considered more important than territory.

There are various traditional styles of tea bowl that have been transmitted to the present, with Raku, Ido, Hagi, Karatsu and Shino still being created today. All Japanese potters, whoever they may be, strive to create a perfect tea bowl in their respective careers. This is probably due to the fact that the simple tea bowl contains a sense of great presence and infinite power. They can be described as being microcosms or expressions of the great maternal spirit. The tea master devotes all his energies to a single bowl of tea to make it a unique encounter, allowing the guest to appreciate the experience through all five senses. Unlike an artwork that is only appreciated visually, it embodies organic joy, contemplation, tranquility, and living beauty. It represents the essence of entertainment and the true nature of human happiness that has remained unchanged throughout history. A tea bowl always plays an important role in the ultimate communication that joins people together, giving rise to an endless power of imagination.

Exhibiting artists:

Ryusuke Asai
Shin Fujihira
Yasushi Fujihira
Sho Fujita
Kenji Hishida
Yukiya Izumita
Ryoji Koie
Takuro Kuwata
Masahiro Maeda
Kohei Nakamura
Chozaemon Ohi
Toshio Ohi
Shiro Tsujimura
Yui Tsujimura
Hideki Yanashita
Aiko Watanabe

For making a visit to see the show, please make an appointment.

12 East 86th street, # 507 ( between Fifth & Madison Avenues ) New York, NY 10028
+ 212. 967. 4899 | mail@ippodogallery.com

To view all pieces in the show via our website,
please contact : shoko@ippodogallery.com or +1 212. 967.4899 and you will receive log-in information.

About the Artist
1927 Born as the eldest son of the 9th Ohi Chozaemon
1945 Graduated from Tokyo National University of Fine Arts and Music

Honorary Citizen of Ishikawa Prefecture and Kanazawa City
Honorary Doctor of Rochester Institute of Technology
Honorary Doctor of Taiwan Tainan National University of Fine Arts

2011 Received The order of Culture Merit by Japanese Emperor
2004 Received the Person of Cultural Merits from the Japanese Government

Member of Japan Art Academy
Chief Executive Director of Contemporary Arts and Crafts Association
President of Ishikawa Prefectural Ceramic Artists Council
Executive Director o Contemporary Arts and Crafts Association

"Ohi Yaki" originated in 1666 in a village in Ishikawa Prefecture and was developed for use in the tea ceremony.

Made of soft clay and fired at low temperatures, Ohi pieces are prized for their beautiful shapes and luster.

The Ohi method is to form the shape by hand, curving off excess bits with a spatula without using a wheel.

At the firing stage, the piece is glazed and put into the kiln. Then the temperature is increased sharply within

a short time, and the piece is taken out while the glaze is melting to cool down rapidly. This method requires

sudden temperature changes, so finding good clay soil is important. The first Chozaemon found the most

suitable soil in Ohi Village which is a suburb of Kanazawa. The name Ohi came from the name of the place.

Since then, this method has been handed down from generation to generation as Ohi Yaki. Most Ohi Yaki is

tea utensils among which tea bowls are most abundant. Its distinctive glaze contrasts beautifully with the powdered
green tea used in tea ceremony.